Maharana Amar Singh II Is Shown Two Silver Elephants

The semi-colored drawing technique seen here, a cross between grisalle tonal drawing—known in the Mughal tradition as nim qalam—and watercolor, developed at Udaipur and is associated with a master painter in the service of Amar Singh II and Sangram Singh II in the early eighteenth century. The style of this anonymous artist, called the Stipple Master, remained a singular phenomenon at that court. He devoted himself exclusively to painting portraits of his patrons.

Ink, opaque watercolor, silver, and gold on paper

Overview

Creator : 

Stipple Master (active 1690–1715)

Collection : 

Metropolitan Museum of Art

Date :

1705

Rights :

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