Maharana Amar Singh II Is Shown Two Silver Elephants

The semi-colored drawing technique seen here, a cross between grisalle tonal drawing—known in the Mughal tradition as nim qalam—and watercolor, developed at Udaipur and is associated with a master painter in the service of Amar Singh II and Sangram Singh II in the early eighteenth century. The style of this anonymous artist, called the Stipple Master, remained a singular phenomenon at that court. He devoted himself exclusively to painting portraits of his patrons.

Ink, opaque watercolor, silver, and gold on paper


Creator : 

Stipple Master (active 1690–1715)

Collection : 

Metropolitan Museum of Art

Date :


Rights :



You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

Creative Commons

You can :

remix /  adapt this work even for commercial purposes, as long as you :

  • give appropriate credit and
  • license new creations under the identical terms.

Creative Commons

You can remix, adapt, and build upon this work, even commercially, as long as you:

  • credit the original creation. 

Creative Commons

Explore More